Daniel C. Remein
FILM PROFESSOR WITH BEAUTIFUL HANDS
[build: mother, i]



i am denied foremost by blankets—

by silos with ageing silver seed.

by the skins and edges of brain so flashing,


an ocular cult so brief, so remote

as to demand that i carve a sliver-moon

into my hand:


a cipher cut for wolves

that speak in nascent tongues—who carry desire

in their vacuous mouths.


a celluloid click—pulsing red—opens

into the lens captured in the fist,

and the glyphs that float there:


the epistemic eyelid, the inutile buttocks of space-time,

the bloom of yellow onto the humming gray screen, the flutter of a chamfered


childhood. and then when two projectors stop


i am a limp bat affixed on the stiff suspension of a thick lens,

watched by slats and holes

rotating and winding parallel, halogen,

cross-teamed horses of light.




Daniel C. Remein's recent work can be found in Sentence 6, Zafusy, and Shampoo. He currently edits Whiskey & Fox, a magazine of poetry, theory, and heterotopia, and will begin work this fall for a Ph. D. in Medieval studies.

Other works on Sidebrow: from keystone service letters & my perfect, my binding, my client-language



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