Daniel C. Remein
FILM PROFESSOR WITH BEAUTIFUL HANDS
[build: mother, i]
Daniel C. Remein
FILM PROFESSOR WITH BEAUTIFUL HANDS
[build: mother, i]
i am denied foremost by blankets—
by silos with ageing silver seed.
by the skins and edges of brain so flashing,
an ocular cult so brief, so remote
as to demand that i carve a sliver-moon
into my hand:
a cipher cut for wolves
that speak in nascent tongues—who carry desire
in their vacuous mouths.
a celluloid click—pulsing red—opens
into the lens captured in the fist,
and the glyphs that float there:
the epistemic eyelid, the inutile buttocks of space-time,
the bloom of yellow onto the humming gray screen, the flutter of a chamfered
childhood. and then when two projectors stop
i am a limp bat affixed on the stiff suspension of a thick lens,
watched by slats and holes
rotating and winding parallel, halogen,
cross-teamed horses of light.
Daniel C. Remein's recent work can be found in Sentence 6, Zafusy, and Shampoo. He currently edits Whiskey & Fox, a magazine of poetry, theory, and heterotopia, and will begin work this fall for a Ph. D. in Medieval studies.
Other works on Sidebrow: from keystone service letters & my perfect, my binding, my client-language